The novel as a whole Essay Example for Free

The novel as a whole EssayThis underlines where the stress in the sentence is and thus its emotions. This is exercised to groovy effect with a more than than dramatic description in It was wretched weather breezy and wet, stormy and wet mud, mud, mud b aceheaded in all the streets. It is hard not to associate this dramatic use of language with his consciousness and intensified state of emotion thus allowing us to see how touch feels by using indirect methods. Plus we see that it is a way the older Pip can carry the forbidding nature of the event unfolding. The clichiof stormy weather is an obvious precursor of events to mother, solely it works sound setting the reader for a theatrical recountment of events. Another typical feature of two is to personify an object. For instance the smoke came rolling down the chimney as though it could not bear to go forth into such a night. Hence the dreary use of the elemental weather is made even more imposing, and in this case makes the atmosphere seems primitive excellent weather for the return of the Magwitch who Pip first met on the untamed marshes.The use of weather with reference to the sea is made good use of in gloomy accounts had come in from the coast, of shipwreck and death, and the wind organism like the discharges of cannon, or breakings of the sea. With hindsight these are clear references to Magwitch his date on the sea in the hulks and the cannon remind us of that used in chapter two on the marshes to alert people to convicts. Also, the stormy rain is an omen of Magwitchs water-death struggle in the Thames. But as a first time reader these references only make subconscious links, so that their significance slowly dawns on the reader.The description of the weather is so terrifyingly dramatic that it is chilling and almost supernatural one could say that when Pip first saw Magwitch it was so traumatic that he assay to bury the experience. The pressure of the hidden memories of Magwitch d eep in his subconscious have built up so much that he has globeaged to bring about(predicate) Magwitchs return. Of course the fact that Pips benefactor is revealed to be Magwitch is clear that Pips great expectations are at an end as he can not keep the money and he isnt intended to marry Estella.This emotional excitation in Pips life is magnificently portrayed in the narrative description of the weather leading up to Magwitchs return. Dickens personal style is clearly evident in the characterization describing the stranger on the measure that he had long agitate-grey hair. That his age was about sixty. That he was a muscular man, strong on his legs, and that he was browned and hardened Dickens has repeated that so as to create a list, that focuses more on the detail, yet at the same time creates purpose and a gradual realisation of who the man is.Even though this use of language is not correct grammatically it conveys the point that Pip k at one times who it is but only jus t below his level of consciousness. The first person narrative makes a competition betwixt the reader and Young Pip to recognise who the stranger is first, from the penetrating and elusive hints of the identity of the stranger unordered throughout the exit. The remnant on the stair reminds Pip of his dead sister who like Magwitch is a creep from the past.Incidentally, this joining between his sister also reminds the reader and probably young Pip of the guilt he felt over his sisters beating, and hence the guilt over his stealing to help Magwitch. Pip heard the footstep stumble in coming on which one would have done if it was a criminal erosion leg irons, that which haunted Pip the chapter FIND OUT e. g. (QUOTE). Towards the point where we finally find out who the appetiser is, the hints become more obvious with his clothes resembling a voyager by sea and his hair being iron grey like this leg-irons.Only moments before it begins to sink in who the stranger we are told of Pip s lamp it was a shaded lamp, to chance upon upon a book, and its circle of send off was very contracted so that he was in it for a perfect instant, and then out of it. The light is contracted like Pips view on life with his misconception of Miss Havisham as the source of his becoming a gentleman, yet he is slowly grasping the truth (brought by Magwitch) from subtle hints, in the same way the light only illuminates Magwitch for mere incidences.Various references to the absence of light are also made throughout the passage staircase lamps were blown out, lamps in the court were blown out, dumb veil had been driving over London and a voice from the darkness. This is predominantly an effect to make the passage more typically mysterious and gloomy. Less obvious is the connection to Estella. Pip often associated her with fire and light (her name meaning star) and she was frequently responsible for lighting Pips way in Satis house (ANY EG), but she is now a lost cause to Pip as it is M agwitch who is responsible for his fortune.Dickens almost personifies the weather when he writes a large heavy veil had been driving over London. This implies that the weather knows the outcome of the building prescience and that it is mirroring the news to be revealed, which will cause Pip to feel as though a vast heavy veil has been drawn across his life. Again we are given a glimpse of something to come but only so much as to push our curiosity more. A further connection to Estella can be made -Magwitch is a dysfunctional father figure to Pip (he refers to Pip as my boy and himself as Pips second father).This creates an ironic parallel with Estella and Miss Havisham, as both children reject their cite at some point, and we learn later that that Estella is in fact the daughter of a criminal. Thus ironically Pip and Estellas status are almost inverted, and it is through this reversal that Pip realises the values of a trustworthy gentleman and in time learns to love Magwitch and place himself in hazardous situations for him. Near the end of the passage the first gesture that Magwitch makes is accounted by Pip as Magwitch holding out both his hands to me. This follow out seems obscure, even if we have realised who the stranger is. It also creates an air of mystery and suspicion even at this late stage. Also we read that Pip sees the stranger looking up with an incomprehensible air of being touched and pleased by the sight of me which contrasts dramatically with the earlier strained and violent nature of the elements. The fact that Magwitch is responsible for Pips rise in social status to a gentleman is terribly ironic. Pip is at the height of his immoral conduct due to his uninformed view of what makes a gentleman (appearance, money and coalesce with like people i.e. shunning lower class people such as Joe). In relation with Magwitchs humble Master references to him, Pip has inadvertently played up to the image of a gentleman that Magwitch has shunned an d tried to get revenge at i. e. Compeyson. The passage is the beginning of Chapter 39 and it is only from this chapter onwards that Pip cabbage misreading events (for example he finds out who is his benefactor), therefore this chapter is primary in terms of plot development.Yet, Dickens pays close attention to detail with frequent hints to the theme throughout the passage in subtle references (looked at previously) that sustain the drama and dark, tense atmosphere, all of which contribute to the sense of expectation. By Chee Date April 2001 For Mrs Hill say preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Great Expectations section.